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w dniu stycznia 15, 2009

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Popularne posty

untitled (Toronto 2012)

Tatarczuk’s performance began with the artist in contemplation with a black and white photo of himself. This photo was part of a series of portraits that Tatarczuk had taken during the festival (including countless images of other artists and participants). After a few moments, the artist tore up the photo, making confetti out of it and throwing it at the audience. The gesture was mysterious — showering us with a fragmented memory of his image. Tatarczuk had just turned hard “evidence” into mere traces (or, the trace into further traces, depending on how you understand photography). Tatarczuk had dissembled the meanings that his pose and the context had fleetingly wrought – exposing its contingencies only to provide us with a new set of possible meanings. Tatarczuk then placed two piles of paper against the wall which he supported with his hands and weight, pressing against them. He began to work with the left pile first: photos of participants from the festival who had posed for hi...

Nie płacz to koniec / Don't cry this is the end

Lviv September 2009

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